The Weekly Review

Now leaning more to rock than dance, their latest effort isn’t an easy listen.

There’s smoke in singer Matt Joe Gow’s baritone but poppy guitars lead us up towards the light in The Dead Leaves' new release.

Brave and refreshingly frank, this is a remarkable film.

In a memorable episode of The Goodies, Bill Oddie decides to make his own silent movie as a tribute to a golden age of cinema. To achieve the right look, he forgoes screen trickery and carefully paints everything on set (including himself) black and white.

There are plenty of surprises in Lars von Trier’s new film, but the mood isn’t one of them.